Remake movies suffer from a distinctive disadvantage; the disadvantage of a constant comparison with the original movie. It takes a great effort from the director and the cast to move away from the shadow of the original and establish a territory of its own. Having watched “Udayananu Thaaram” (The Malayalam original starring Mohanlan & Srinivasan), it became natural for me to make comparisons between that and ‘Vellithirai’ while watching the movie. Vellithirai not just creates its own territory but also fortifies its territory with some solid performances and overall team work.
I was a bit apprehensive when I learnt that Prakash Raj was doing the role of Srinivasan. Srinivasan is basically a comedy actor and I was not sure whether Prakash Raj did the right thing by casting himself in that role (Prakash Raj is one of the producers). I soon found out that my fears were baseless for Prakash Raj steals the show with some brilliant acting. It is said that Prakash Raj is a director’s actor. It is very true for he can easily go overboard with his histrionics and easily spoil the movie if the director does not exert the right amount of control over his acting. A director should have complete control and Viji (The director of this movie) seems to have found the correct mix for getting the best out of Prakash Raj.
The story is about two struggling film artists trying to make their mark in Kollywood. One of them is Kannayan (Prakash Raj), an actor aiming to be a hero and the other is Saravanan (Prithvi Raj), an assistant director aspiring to be a director. Saravanan has a story ready and a producer agrees to go ahead with the film. Before the movie could start, Kannayan steals the story from Saravanan and gets it registered in his name. The strength of the story forces a producer to accept the condition of Kannayan to cast him as the hero for the movie in exchange for him to produce the movie. Kannayan becomes a superstar and renames himself as Dileepkanth. What happens to Saravanan and whether he is able to attain his rightful position forms the rest of the plot. Gopika plays the role of the lady interest of Prithvi Raj.
I was a bit apprehensive when I learnt that Prakash Raj was doing the role of Srinivasan. Srinivasan is basically a comedy actor and I was not sure whether Prakash Raj did the right thing by casting himself in that role (Prakash Raj is one of the producers). I soon found out that my fears were baseless for Prakash Raj steals the show with some brilliant acting. It is said that Prakash Raj is a director’s actor. It is very true for he can easily go overboard with his histrionics and easily spoil the movie if the director does not exert the right amount of control over his acting. A director should have complete control and Viji (The director of this movie) seems to have found the correct mix for getting the best out of Prakash Raj.
The story is about two struggling film artists trying to make their mark in Kollywood. One of them is Kannayan (Prakash Raj), an actor aiming to be a hero and the other is Saravanan (Prithvi Raj), an assistant director aspiring to be a director. Saravanan has a story ready and a producer agrees to go ahead with the film. Before the movie could start, Kannayan steals the story from Saravanan and gets it registered in his name. The strength of the story forces a producer to accept the condition of Kannayan to cast him as the hero for the movie in exchange for him to produce the movie. Kannayan becomes a superstar and renames himself as Dileepkanth. What happens to Saravanan and whether he is able to attain his rightful position forms the rest of the plot. Gopika plays the role of the lady interest of Prithvi Raj.
If Prakash Raj’s acting is the highlight of the movie, the support extended by Prithvi Raj & Gopika is equally commendable. They seem to have understood their role perfectly and go on to nail it to perfection. The fact that the director has the guts to make fun of the stardom enjoyed by some of the actors in the film industry is to be appreciated. Viji plays it safe and seems to have drawn an invisible line regarding where the satire of the film industry can stop.
The music & songs of the movie play a very prominent role in making this movie a thoroughly enjoyable watch. The director had the convenience of introducing the songs as though they are part for the movies that the characters are working on and this provides her with the advantage of not having songs that appear to have been forced on the viewer.
One of the few grouches that I have with the movie is the way the movie ended. The original movie climax appeared to be more logical and ‘Vellithirai’ seem to have faltered a bit in the way the climax is played out. It appears to have been rushed up a bit. May be Prakash Raj wanted to maintain his ‘Image’as a superstar!!!
Last Cut: A movie that can be watched for its simplicity.
Rating: 8/10
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